Conservatrice e artista di vetrate artistiche

Charlotte Roden paints a stained glass infill in order to fix a broken stained glass window. traditional methods of stained glass painting, fired permanently in a kiln, are used every time.

Charlotte Roden è una conservatrice indipendente e artista di vetrate artistiche che opera dal suo laboratorio a Udine, Italia. Ha vinto premi sia nel settore della conservazione che in quello del design del vetrate artistiche e intraprende piccoli e grandi progetti. Dopo aver completato il suo Master in Conservazione delle Vetrate Artistiche e Gestione del Patrimonio presso l'Università di York, ha lavorato in vari studi nel Regno Unito, Italia, Spagna, Belgio, Germania e Francia, completando progetti di conservazione e nuove vetrate. È accreditata del Ministero Italiano della Cultura come Restauratore di beni culturali. È anche nel Comitato di Conservazione per la British Society of Master Glass Painters (BSMGP) ed è membro del Consiglio di Amministrazione del Corpus Vitrearum Italia.

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Close-up of a cameo process stained glass panel. Meikle and Sons developed this technique using acid etching with hydrofluoric acid at the end of the nineteenth century.

La tesi Master di Charlotte Roden è intitolata "The 'cameo process': the twentieth-century acid-etching technique by William Meikle and Sons in Glasgow, Scotland". Il processo cameo è stato sviluppato principalmente come soluzione ai problemi di perdita di grisaglia del XIX secolo, ma comprende anche il desiderio del Movimento Arts and Crafts di celebrare le qualità del vetro senza l'effetto opacizzante della grisaglia su vetro. Un vetro placcato è stato trattato con acido per ottenere dettagli grafici e dettaglie di volti e drappeggi che, anche da vicino, è difficile distinguere dalla grisaglia. L'articolo è pubblicato qui:

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Instagram di Charlotte…

The last of the stained glass Krakow / Katowice photos... and a dotty horse 😍
Some more photos from Krakow #Krakow #stainedglass
I was honoured to present at the 32nd International Colloquium of the Corpus Vitrearum, Research on Stained Glass: History and Methods, and at the 13th Forum for the Conservation and Technology of Historic Stained Glass, Historical Techniqu
✨ One down, two to go 🤞🏻 -stained glass conservation - corpus vitrearum - krakow - stained glass conference - Thanks @camails for the photo 🫶🏻
Today I visited Wawel Cathedral in Kraków, Poland to spend time with its extraordinary stained glass. The Corpus Vitrearum Conference will start tomorrow and I wanted to get a feel for Krakow’s heritage in stained glass before the confer
Little stained glass oranges 🍊✨ I loved making these small orange roundels — bright, cheerful pieces to hang in a window or on a wall. They were made by hand using coloured glass, lead and copper foil, combining the traditional leaded staine
Glass in the sand ✨ After finishing the painting, but before making these pieces into roundels, I took them to the beach to photograph them. I loved seeing the glass against the sand — the texture, the light, the strange little contrast betwee
Close-up details 👁️ A closer look at the stained glass eyes. This series started as an exercise in portraiture: trying to understand how much expression I could create with painted glass, grisaille, enamels and light. Up close, the details become m
Stained glass eyes 👁️ I made these as an exercise in developing my portraiture technique, focusing especially on the eyes. What I didn’t want to do was paint a set of pretty, glamorous eyes. I wanted to try to capture something more human: b
Glass, light and flight ✨ A few more views of my stained glass currently on display at @aeroportonicelli, the historic Art Deco airport on the Lido di Venezia. Nicelli still has such a strong identity: elegant, unusual, full of atmosphere, and unli
Office / 4th century baptistry 🤗 [fvg, italy, stained glass conservation, heritage, 4th century]
Stained glass at Aeroporto Nicelli ✨ I’m very happy that some of my stained glass work is currently on display at @aeroportonicelli, the historic Art Deco airport on the Lido di Venezia. It is such a special place: one of a kind, quietly excl
Meet Nicole ✨ My newest stained glass portrait, made using traditional techniques that have been used for at least a thousand years: handmade glass, lead, grisaille and enamels. I’ve been slowly tweaking my own practice in portrait-painting sin
I had a lot of fun making these oranges! I’ll never get sick of the colour combination of orange and green 💓 #stainedglass #oranges #vetrateartistiche #charlotteroden